Very Well DoneReviewed by Haruki Maven, 2010-02-28
I would like to point out that the editorial review provided for
this page is not valid until it can get its facts straight. That
aside:
This movie was very well done, and less disjointed than its sister
film "Paris, Je'taime." That is, the stories seem to flow together
a little bit more seamlessly, and they are more accessible on a
personal level.
If the only justification provided for the one star reviews is
"boring" then I would have to suggest the logical decision and at
least give it a try.
Too many cooks, spoil the brothReviewed by Amit, 2010-02-28
New York, I love you is not really a move but a quilt of different
short films which attempt a common theme. It brings many characters
to the movie but has no depth at all. Some big name directors
contribute such as Yvan Attal, Allen Hughes, Shunji Awai, Wen
Jiang, Mira Nair, Joshua Marston, Brett Ratner, Natalie Portman
(her directorial debut), Shekhar Kapur, Fatih Akin, and Randall
Balsmeyer along with many big names Natalie Portman, Andy Garcia,
Bradley Cooper, James Caan, Ethan Hawke, Julie Christie, Hayden
Christensen, Orlando Bloom, Christina Ricci, Robin Wright Penn,
Chris Cooper, Rachel Bilson, Eli Wallach, Cloris Leachman, John
Hurt and Drea DeMatteo.
I only watched this movie because I was curious of the premise
which was, the directors chosen were given only 24 hours to shoot,
a week to edit.
The best episode was directed by Joshua Marsten with Eli Wallach
and Cloris Leachman, an old couple on their way for lunch in Coney
Island. Their interaction and the love they show for each other
after 63 years of marriage was perhaps the best scene in the movie
or for that matter in recent movie memory. If you are interested to
see the result of having so many directors and actors contributing,
watch this movie but don't expect any satisfaction from the story.
I give it two and half stars.2/27/10
A Moody, All-Star Anthology Serves as a Valentine to a
Fictionalized New YorkReviewed by Ed Uyeshima, 2010-02-16
A dozen stories. Ten filmmakers. 103 minutes. If you do the math,
you will draw the same conclusion I did - that there isn't much
time for a viewer to make an emotional connection with every
episode presented in this all-star 2009 omnibus tribute to New
York. An eclectic group of global filmmakers, some well-known,
others on the verge, had to meet certain requirements to make the
final cut - they were given only 24 hours to shoot, a week to edit,
and the result had to reflect a strong sense of a particular NYC
neighborhood. The cumulative effect makes for a moody portrait of
the city through various couplings, but due to the contrivance of
its structure, the film falls short in bringing a deeper emotional
resonance to the themes the creators want to convey.
With a couple of key exceptions, the film appears to be more of a
valentine to Lower Manhattan. Consequently, there is a fashionably
edgy look to the short stories. Israeli-born French director Yvan
Attal epitomizes this feeling in two episodes. The first deals with
an aggressively talkative writer (an irritating Ethan Hawke)
throwing a barrage of romantic and sexual overtures at a sleek
Asian woman who appears to have heard it all (Maggie Q). The other
is marginally better, focusing on a chance conversation outside a
restaurant between a woman taking a cigarette break (an
effortlessly sexy Robin Wright Penn) and a man intrigued by her
emotional availability (Chris Cooper). Both have O. Henry-type
twist endings that make them ultimately entertaining.
A couple of other entries feel more gimmicky by comparison. Brett
Ratner's mostly comic entry features Anton Yelchin as a naïve
high-school student and Olivia Thirlby as his unexpected prom date
with James Caan as her pushy pharmacist father. Mira Nair directed
a flat culture-clash encounter between two savvy souls - a Hassid
woman about to marry (Natalie Portman) and a Jain diamond dealer
(Irrfan Khan) - who become mutually intrigued by their price
negotiation meeting. Other episodes feel even more cursory. Portman
wrote and directed a brief episode focused on an ebullient toddler
(Taylor Geare) and her father (Carlos Acosta) having a play date in
Central Park, highlighted by a brief dance performance from Acosta
at the end (he is a Cuban-born principal dancer for the Royal
Ballet). Chinese director Jiang Wen led Hayden Christensen, Andy
Garcia and Rachel Bilson on an empty roundelay of deception and
humiliation among thieves at a bar.
Japanese director Shunji Iwai was at the helm of a slight episode
featuring Orlando Bloom as a frantic musician working against
deadline, while Turkish director Faith Akin shares a brief story of
obsession with Uður Yücel as a solitary artist who wants to paint
the face of a local Chinese herbalist (Shu Qi). The entry from
Allen Hughes (of the Hughes Brothers) consists mostly of a
continuing voiceover of two regretful lovers (Bradley Cooper, Drea
de Matteo) hesitant to follow up on their passionate one-night
stand. The oddest, most dispiriting entry comes from Shekhar Kapur
who directed a script from the late Anthony Minghella (to whom the
film is dedicated). It stars Julie Christie as a renowned opera
singer returning to a posh Fifth Avenue hotel where she bonds with
a palsied, Slovak-accented bellboy played by an overly sensitive
Shia LaBeouf. The nature of their relationship is never really
divulged, but it ends on a surreal note of little
consequence.
Directed and written by Joshua Marston, the best episode is perhaps
the least ambitious as it features Eli Wallach and Cloris Leachman
as an aged, bickering couple on their way to the boardwalk in Coney
Island for their 63rd anniversary. The reassuring way she places
her head on his shoulder is easily the most touching moment in the
film. All in all, this stylish hodgepodge will appeal mostly to
those who are drawn to the short story format. Benoît Debie's
sharp cinematography at least brings a consistent sheen to the film
as it tethers the various storylines to a New York that feels mired
in a cinematic fantasy. I just think Woody Allen's "Manhattan"
executes on the same approach far more effectively. The extras on
the 2010 DVD include a handful of additional scenes (though not the
two deleted segments directed by Scarlett Johansson and Andrei
Zvyagintsev), interviews with five of the directors and the
original theatrical trailer.
Don't Waste Your Time or Money!!Reviewed by Alicia M. Justus, 2010-02-16
Dumbest movie I have watched in a long time. There was no plot, no storyline, too bad all these great actors agreed to this horrible film.
They DON'TReviewed by Biffy, 2010-02-15
I was born in NYC, and I live in CA because the weather got too rough for me. I miss NY so much that I am always looking for a good opportunity to see movies about the city. I hated this picture! I could not continue watching, not only because the vocabulary was limited to the characters using curse words to express themselves, but as much I watched, the dialog was puzzling, the people lustful, and I didn't want to waste my time, and submit my ears to fowl language to see how things turned out. I saw no love for NYC! New York, I Love You